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They are not just shown in action or dialogue in the images, for instance, but the. Chris Ware's work addresses loneliness and alienation. Wall Street Journal. It explains the international film business, and contains new research and extensive interviews with leading industry figures, including practical advice on how to run script meetings and handle notes; how to build a sustainable business; and how to understand what really happens when a script is written.
The Screenplay Business is a new key text for academics and students researching film and media, and indispensable reading for anyone working in film screenplay development today. It includes every movie review Ebert has written from January to July Also included in the Yearbook: —In-depth interviews with newsmakers and celebrities —Tributes to those in the film industry who have passed away recently —Essays on the Oscars, reports from the Toronto Film Festival, and entries into Ebert's Little Movie Glossary.
A collection of reviews from the past 30 months by the influential Pulitzer Prize-winning critic includes such entries as an interview with Justin Timberlake, a tribute to Blake Edward and an essay on the Oscars. It introduces the course, tackles useful approaches to study, key content covered in the specification, and guides the student in approaching and planning the exam and production work through analysis, prompts and activities.
The extraordinary story of how a singular group of women in a pivotal time and place — Paris, Between the Wars — fostered the birth of the Modernist movement. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer.
They were all women who loved women. They rejected the patriarchy and made lives of their own — forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age.
Diana Souhami weaves their stories into those of the four central women to create a vivid moving tapestry of life among the Modernists in pre-War Paris. Stephen Frears has a career approaching over half-a-century, directing films of astonishing variety, beauty, and daring, and yet many often have trouble remembering his name.
The Ironic Filmmaking of Stephen Frears celebrates this great filmmaker, beginning with a short biography of Frears, general observations on unifying themes and styles in his oeuvre, and the characterization of his manner of directing.
By focusing on 10 key films, Lesley Brill finds coherence in Frears' characteristic irony and in his concentration on many kinds of love. In movies such as My Beautiful Laundrette, Dangerous Liaisons, High Fidelity, The Queen, Philomena, and many others, Frears portrays widely varied situations and characters with a combination of insight, skepticism, and sympathy.
He has the passionate, unjudgmental focus of an artist who stands simultaneously at a distance from his subjects and within their worlds. Through Frears' work is widely admired, Brill argues that he has attracted little scholarly writing because of a combination of the diffidence of his self-presentation and the difficulty of explicating the complex ideas and characters of his films.
The Ironic Filmmaking of Stephen Frears is meant to inspire others to further examine his films individually and his career as a whole.
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